Pam Longobardi // Tinney Contemporary

Artists

Pam Longobardi

Have worked for the past 15 years on two-dimensional paintings and works on paper, and on installations that explore the themes of the psychological relationship of humans to nature and the physical world. This two-pronged aspect to my artistic production has enabled me to have a multitude of exhibition opportunities, ranging from galleries and museums to alternative spaces and experimental art venues in the US and abroad. I have explored the ideas from two perspectives: the philosophical (utilizing intellect in the development of self-awareness) and the phenomenological (elevating the experiential nature of existence in furthering understanding of the work of art, and by extension, the self). I often involve elements of natural phenomenon as processes in the physical construction of my work, processes such as chemical patination, light-sensitive photo imaging, magnetism, mirror reflection, after-image, and phosphorescence. My work tends to be experiential: It is never fully described through photographic documentation, such that even the paintings, done on copper and encrusted with chemical crystallization, change dramatically depending on the lighting or the angle one views them from. In fact, they are most fully experienced by looking at them from a distance and then very close up, possibly even aided by a magnifying glass. This level of exploration is invited by the physicality of the surfaces and the fact that a real chemical event has taken place on the surface. The crystallization of the patinas form a kind of fractal pattern which contains the phenomenology of nature in miniature: landslides, erosion, sedimentation, and streambed formations arise at the suprascopic level, at the visibility limits of the naked eye. These formations teach me about painting, actually how to paint chaotic forms, by revealing the invisible and underlying structure of trails, forms, and web like patterns. It is into this surface that I plant the pictures of nature, cultural imprints that claim the space, pave it over, civilize it. These pictures of nature and details of human presence populate the space as an analogy to humanity's need to put our face on the world; the paintings then work as a kind of mapping of painting space as a domination of the universe, a transformation of nature to the fulfillment of ego and pleasure. A mirror reflects not the self but the image of the self. In Lacanian psychoanalysis, the construction of the ego begins with the recognition of a self in the mirror. It is the point at which the world separates into the me/not me. I am interested in the idea of the positioning of the ego in an attempt to locate the self amidst the incomprensibility of the external world at large. Only a dismantling of ego merges the interior with the exterior into a non-dualistic whole world. A most telling moment of the recent past came with the completion of the Human Genome Project, the mapping of the human genetic sequence. According to the central dogma of DNA theory, humans, as the most complex organism on earth, were expected to have an enormous gene count, predicted to number 100,000. Instead, in the end, the human gene count numbered just around 30,000, just about as many genes as a mustard weed. I feel this is significant in revealing that humans are but a tiny part of a vastness beyond comprehension, connected to every weed, and no more, nor no less important.

EDUCATION

1985 MFA, Master of Fine Arts • Montana State University, Bozeman, MT
1981 BFA, Bachelor of Fine Arts • University of Georgia, Athens, GA

SOLO EXHIBITIONS

2007 Drifters, Sandler Hudson Gallery • Atlanta, GA. (January)
2006 Sky is Fallen, Sandler Hudson Gallery (roof installation) • Atlanta, GA. (April)
2004 Worlds Within Worlds, Jacksonville Museum of Modern Art • Jacksonville, FL. (June-Oct)
Artificial Kingdoms, Sylvia Schmidt Contemporary Art • New Orleans, LA. (March)
Pam Longobardi: New Paintings, Rentz Gallery • Richmond, VA. (December)
2003 Drawing Voices: Encounter, collaboration with C. Dongoski, Galerie Entropia • Wroclaw, Poland.
Survey: Works from 1995-2003, Heistand Galleries, Miami University • Oxford, Ohio.
2002 Pearl of the Third Mind, collaboration with C. Dongoski, Gusto House Gallery/Free Space • Kobe, Japan.
Thin Line Drawn, collaboration with C. Dongoski, Bergen Gallery, Savannah College of Art + Design • Savannah, GA
2000 world world, Lowe Gallery • Atlanta, Georgia.
Visible/Invisible, Hartsfield International Airport Atrium • Atlanta, Georgia.
Beyond the Frame, Knoxville Museum of Art • Knoxville, Tennessee (Oct- February 2001)
Damp Edge, collaboration with C. Dongoski, Gallery of Art, University of Northern Iowa • Cedar Falls, IA.
1998 animal/beautiful, Lowe Gallery • Atlanta, Georgia. Catalog.
1995 Mixed-media Works , Wake Forest University Fine Arts Gallery • Winston-Salem, NC..
1994 Appeals, Oaths, and Queries, Marshall Arts • Memphis, Tennessee. Catalog.
Appeals, Oaths, and Queries , Lowe Gallery • Atlanta, Georgia. Catalog.
Double/Split, Fine Art Center, Connecticut College • New London, Connecticut. Installation.
1993 Double/Split, Czech Cultural Center • Bratislava, Slovakia. Installation.
Double/Split ( Desire), MUU ry, Gallery of New Media • Helsinki, Finland. Installation.
Lowe Gallery • Atlanta, Georgia.
1992 Kathryn Sermas Gallery • New York, New York.
Lowe Gallery • Los Angeles, California.
Fine Arts Gallery, Sweet Briar College • Sweet Briar, Virginia.
1991 Instituto de Estudios Norteamericanos • Barcelona, Spain.
Kathryn Sermas Gallery • New York, New York.
Lowe Gallery • Atlanta, Georgia.
1990 Artemisia Gallery • Chicago, Illinois.
San Francisco Museum of Modern Art Rental Gallery • San Francisco, California.
1989 Taller Galeria Fort • Cadaques, Spain.
Kyle Belding Gallery • Denver, Colorado.
Merwin Gallery of Art, Illinois Wesleyan University • Bloomington, Illinois.
Gray Art Gallery, East Carolina University • Greenville, North Carolina.
1988 Matrix Gallery • Sacramento, California.
Ewing Art Gallery, University of Tennessee • Knoxville, Tennessee
1987 Brunswick Gallery • Missoula, Montana.
1986 Paris Gibson Square Center for Contemporary Art • Great Falls, Montana.
1984 Danforth Gallery • Livingston, Montana.

TWO-, THREE- and FOUR -PERSON EXHIBITIONS

2004 Adornment: Embellishment and Encroachment,(w/Jaqueline Bishop, Les Christensen) Diboll Gallery, Loyola University
Pam Longobardi and Miriam Karp, Sandler Hudson Gallery • Atlanta, GA.
2003 Pam Longobardi and Craig Dongoski: Works on Paper, Santa Reparata Gallery • Florence, Italy.
2002 Pam Longobardi and Michael Murrell, Barrister's Gallery • New Orleans, LA.
Pam Longobardi, Rayna Rochat, Cynthia Knapp, Fay Gold Gallery • Atlanta, GA.
1997 Instinct and Intellect: Leslie Dill, Pam Longobardi, Allison Saar, Kara Walker, Monique Knowlton Gallery • NY, NY.
1996 Jill Emery, Pam Longobardi, Gary Paller, Crossing Space • Portoguaro (Venice), Italy.
1993 Landscape and the Metaphysical, curated by Alan Frame, Delta Axis Contemporary Arts Center • Memphis, TN.
1990 States of Matter, Installation in "Living Artists", Knoxville Museum of Art. • Knoxville, Tennessee.
PAM LONGOBARDI Page Two

SELECTED EXHIBITIONS

2006 Birdspace, Tucson Art Museum • Tucson, AZ. (Jan-Mar.) Curated by David Rubin, traveling for 2 years.
With Ross Bleckner, Mark Dion, Walton Ford, Kiki Smith, Hunt Slonem, Petah Coyne, others. Catalog.
IV Biennial of Graphic Art, Francavilla Al Mare, Italy and Sant Carla dela Rapita, Spain.
Yellowstone Art Museum Auction, Yellowstone Art Museum • Billings, Montana.
Artscapes, Knoxville Museum of Art Auction • Knoxville, Tennessee.
2005 New Orleans Triennial, New Orleans Museum of Art • New Orleans, Louisiana.
Imagining Escape, GSU Welch Gallery, CAA annual conference exhibition of GSU faculty.
Reincarnation of SWITCH, Eyedrum • Atlanta, GA.
2004 Breathing Space, Metaphor Contemporary Art • Brooklyn, NY.
Birdspace, Hudson River Museum • Yonkers, NY. (Oct-Dec.)
Birdspace, Norton Museum • West, Palm Beach, FL. (May-July.)
Birdspace, Contemporary Art Center • New Orleans, LA. ( January - March.)
FLOW, Suntrust Plaza Gallery, curated by Barkin-Leeds • Atlanta. Georgia
2003 Skin: Contemporary Views of the Body, Jacksonville Museum of Modern Art • Jacksonville, Florida.
With Tony Oursler, Rona Pondick, Magdelena Abakanowicz, Arnold Mesches, others. Catalog
The Armory Show 2003, represented by Fay Gold Gallery, Chelsea Piers • New York, NY.
Emory Chairs Project, 30 artists create outdoor site-specific installations, Emory campus • Atlanta, GA. Catalog.
Immured: Installations Behind Glass, Lenox Artwalk • Altanta, GA.
V. Rooms in Dialog, Zaal Scaldis Eiermarkt /Antwerp Tower Building • Antwerp, Belgium.
2002 Art Chicago 2002 at Navy Pier, represented by Fay Gold Gallery, Navy
Pier complex • Chicago, Illinois.
A Century of Progress: Twentieth Century Painting in Tennessee, Cheekwood
Museum of Art • Nashville, TN; Knoxville
Museum of Art; Carroll Reece Museum; Morris Museum of Art • Augusta, Georgia.
2001 Ponte Futuro, featured exhibition of Cortona International Symposium, La Fortessa • Cortona, Italy.
Saints and Sinners, Piazza Repubblica • Cortona, Italy. Traveling to Temple University • Rome, Italy (Sept);
Corcoran Gallery of Art • Washington, DC (June-July); Tyler School of Art, Temple University
• Philadelphia, PA (Nov-Dec); Rutgers University • New Brunswick, NJ (Jan-Feb 2002).
Art and Science International Exhibition, 90th Anniversary Tsinghua University Global Symposium, National Museum of Fine Art • Beijing, China.
Lipstick, City Gallery East • Atlanta, GA. Curated by Karen Comer.
Summer Exhibition and Works on Paper, Fay Gold Gallery • Atlanta, GA.
2000 do it, curated by Hans-Ulrich Obrist., organized by Rebecca Dimling-Cochran, ACA Gallery • Atlanta, GA.
Sketches, curated by Marianne Lambert, Swan Coach House Gallery • Atlanta, GA.
Here Kitty, Kitty, curated by Teresa Bramlette, Atlanta Contemporary Art Center • Atlanta, GA.
A Matter of Scale, curated by C.Byrd, Dalton Gallery and Observatory, Agnes Scott College • Atlanta, GA.
1999 Requiem, curated by TABOO, Nexus Contemporary Art Center • Atlanta, GA.
Geegaw, Winthrop University Galleries, Rock Hill, SC. Curated by Jason Forrest.
1998 Part of the Fabric, Museum of Art, Rhode Island School of Design • Providence, RI.
Red Clay Survey, Huntsville Museum of Art • Huntsville, AL. Catalog, ill.
The Blue Dress Project, installations curated by C. Byrd, Ballroom Studios • Atlanta, GA.
1997 A Thought Intercepted, California Museum of Art, Luther Burbank Center • Santa Rosa, CA.
allographies, curated by P. V. Echeverria, University Museum • Indiana, PA. Catalog, ill.
Parts, curated by John Otte, in Herren's, 84 Luckie St. Atlanta Arts Festival • Atlanta, Ga
Nostalgia for the Future, Anna Leonowens Gallery, Nova Scotia College of Art • Halifax, NS.
The Obscenes, La Giarina • Verona, Italy. International group exhibition, Nov-Dec.
1996 An American Renaissance, curated by Maria Lluisa Borras, during 1996 Olympics • Atlanta, GA.
Susiaren, international collaboration between Lubo Stacho and artists from 19 countries,
Muzeum Vojtecha Lofflera Kosice, Alzbetina • Slovakia.
Mississippi River: Ten Artists/Ten States, Memphis College of Art • Memphis, TN.
Edges and Interfaces, American Print Alliance, Washington, DC. and traveling. Seneca Center • Morgantown, WV;
Centre Interculturel Strathearn • Montreal, Quebec; Praga Press Gallery, Scarborough, Ontario;
New World School of the Arts, Miami; Robert C. Williams
American Museum of Papermaking • Atlanta, Ga;
East-West Center • Honolulu, Hawaii.
Minnesota National Print Biennial, Nash Gallery, University of Minnesota • Minneapolis.
Vital Passages, The Works Festival, 10th Anniversary, Edmonton, Alberta • Canada.
ACT: Art, Culture, and Technology, 25-monitor multi-media display Summer Olympics • Atlanta, Ga;
International Sculpture Garden Park, Chelsea Piers • NY; and Florida International University • Miami, Fla.
1996 cont'd. Prints: Amenoff, Longobardi, Fick, Humphrey, Myers, Colangelo, Atrium Gallery, Univ. of Connecticut • Storrs, CT.
1995 After Appalachia, Laura Mesaros Gallery, WVU • Morgantown, WV.
Multiples and Uniques, Leedy Voulkos Gallery • Kansas City, Missouri.
East Tennessee Currents, curated by Jeff Fleming, SECCA • Knoxville Museum of Art • TN
Bradley National Drawing and Print Exhibition, Lakeview Museum • Peoria, Ill. First Place Award.
Spotlight on Southern Artists, Trinity School Auction and Exhibition • Atlanta, GA.
1994 SAF/NEA Fellowship Recipients Exhibition, SECCA • Winston-Salem, NC.
USA: Within Limits, Documenta, Galleria de Arte and Center for the Book Arts • Sao Paulo, Brazil.
Credo, Brand Library Gallery • Los Angeles, CA. Exhibition curated by John O'Brien.
Illusion/Allusion, Florida State University Museum of Art • Tallahassee, FL. Catalog.
From the Mountains to the Mississippi, 10 Women Artists in TN, National Women's Museum of Art • Washington, DC and Tenn. State Museum, Nashville • Tennessee.
and Hunter Museum of Art • Chattanooga, TN. Juried by Eleanor Heartney. Catalog.
1993 Critical Impressions, curated by Charles Cohan. Multi-media installation:
"1614-1914 (Disappearance of Wings)", Florida State University Museum • Tallahassee, Florida and traveling to Portland School of Art • Portland, Maine.
BIG Prints, curated by Jurgen Strunck, Haggar Gallery, University of Dallas • Irving, TX.
NUMBER Invitational: 13 on the 13th, Memphis State University • Memphis, TN.
1000 and Under, Fletcher/Priest Gallery • Worcester, Massachusetts.
1992 Fifth International Print Biennial, Taipei Fine Arts Museum • Taipei, Taiwan, R.O.C.
1991 Colorprint USA, National Invitational Print Exhibition, Lubbock Fine Arts Center • TX
1990 Small Works by Gallery Artists, Kathryn Sermas Gallery • New York, NY.
Visiting Artists Exhibition, Louisiana State University • Baton Rouge, LA.
7 Exhibition, Part 2, Memphis Center for Contemporary Art • Memphis, TN.
UTK Art Faculty Exchange: Venezuela,(touring), Centro de Bellas Artes
Maracaibo, Venezuela; Museo de Arte • Barquisimeto; Galeria Arte Hoy • Caracas, Venezuela.
1989 Cast Metal Sculpture, Oakridge Arts Center • Oakridge , Tennessee.
Decade of the Eighties, Western Carolina University • Cullowhee, NC.
1988 Large Scale Drawing, Hopkins Center for the Arts, Dartmouth College • Hanover, NH.
Introductions, Group Exhibition, Kyle Belding Gallery • Denver, Colorado.
Fifteen in the A.I.R., Nevada State Council on the Arts Artists-In-Residence,
Sheppard Fine Arts Gallery, University of Nevada • Reno, Nevada.
Contemporary American Drawing Invitational, Fine Arts Gallery, Wake Forest
University • Winston-Salem, NC. Jim Nutt, Ed Paschke, Karl Wirsum, etc
Young Bay Area Artists, Hatton Gallery, Colorado State University, Fort Collins, CO.
1987 Miniatures: Small Works Invitational, The Museum Gallery, San Francisco Museum of Modern Art • San Francisco.
7th Miniprint International, Taller Galeria Fort • Barcelona, Spain.
Exhibition traveling one year through Spain.
Broken Heart Art Invitational Exhibition, SPARC and The Women's Building Gallery, jointly • Los Angeles, CA.
Miami International Print Biennial Revisited, Metropolitan Museum and Art Center • Coral Gables, Florida.
Contemporary Prints from the Permanent Collection, Montana State University, Fine Arts Gallery • Bozeman, MT.
1986 W.A.R.M. Gallery 10th Anniversary National Invitational Exhibition, W.A.R.M. Gallery • Minneapolis,
Minnesota.
Symbols and Narratives National Print Invitational, Visual Arts Center of Alaska,Arco Foundation Gallery • Anchorage, AL
Heart of America National Print Exhibition, University of Missouri • Columbia.
60 Square Inches Small Print Exhibition, Purdue University Gallery • Lafayette, IN.
1985 Artquest '85,California State University Art Museum • Long Beach, California.
First Place Award, Printmaking. Exhibition and touring slide video.
New American Talent, Laguna Gloria Museum of Art • Austin, Texas. Juror:
Patterson Simms, former Curator, Whitney Museum of Art.
Exhibition and two-year traveling show.
Northern Rockies Exhibition, Yellowstone Art Center • Billings, Montana. Juror:
Bruce Guenther, former Curator, Seattle Art Museum.
10th International Miniature Print Competition, Pratt Graphics Center • NY, NY. Traveling one-year.
Clemson National Print and Drawing Exhibition, Rudolph E. Lee Gallery • Clemson, SC.
Printmakers Select Printmakers, Ewing Gallery , University of Tennessee • Knoxville, TN.
1984 Miami International Print Biennial, North Miami Museum of Art• Coral Gables, FL.
Juror: Walter Hopps, former Director, Corcoran and National Museum of American Art.
1983 59th International Print & Photography Competition, The Print Club • Philadelphia, PA.
3rd Miniprint International, Taller Galeria Fort • Barcelona, Spain.
Exhibition and traveling show through Spain.

AWARDS

2006 Artist Residency Fellowship, Red Cinder Creativity Center • Hawaii.
2005 Outstanding Faculty Achievement Award, Georgia State University.
2004 Finalist, Chicago Department of Cultural Affairs Public Art Program
Commission competition.
2001 Finalist, Atlanta Hartsfield Airport E-Concourse Expansion
Commission Competition.
2000 Major Public Art commission, Atlanta Medical Examiner's Facility,
Fulton Co. Arts Council.
Georgia State University School of Art and Design Summer Research
Grant • Atlanta, GA
All Star Ball commission, Metro Atlanta Chamber of Commerce and
Atlanta Cultural Affairs
1999 Artist Residency Fellowship, Franz Masereel Center • Kasterlee,
Belgium.
Research Initiation Grant, College of Arts and Sciences, Ga. State
University • Atlanta, GA.
TABOO Project Grant, "Requiem" exhibition, Nexus Contemporary
Art Center • Atlanta, GA.
1998 Juror's Choice Award, Red Clay Survey, Huntsville Museum of Art •
Huntsville, AL.
Georgia State University School of Art and Design Summer Research
Grant • Atlanta, GA
Finalist, Atlanta Hartsfield Airport T-Terminal Commission
Competition.
Chancellor's Award for Research and Creative Achievement,
University of Tennessee.
1996 Alternate, SAF/ American Academy in Rome Prize Fellowship.
Visual Artist Fellowship, Tennessee Arts Commission.
Purchase Award, Tweed Art Museum, Minnesota National Print
Biennial • Minneapolis.
1995 Major commission competition, MBL Life Assurance Corporation,
1st Tennessee Bank • Memphis, TN.
1994 SAF/NEA Visual Artist Fellowship, Painting.
Research Project Grant/Italy, University of Tennessee, Knoxville.
1993 USIA Arts America Lecturing Grant • Helsinki, Finland.
College of Liberal Arts Faculty Excellence in Research Award,
University of Tennessee.
1992 Research Development Grant, University of Tennessee • Knoxville,
Tennessee.
1991 AVA Nomination, Awards in the Visual Arts, SECCA Winston-
Salem, NC (disbanded)
1990 Research Abroad Incentive Grant/Spain, University of Tennessee •
Knoxville, TN.
1989 AVA Nomination, Awards in the Visual Arts, SECCA, Winston-
Salem, NC.
Research Fellowship Abroad/Spain, University of Tennessee •
Knoxville, Tennessee.
1987 Premier Award, Taller Galleria Fort • Cadaques, Spain. Publication
of print edition, 1-person show in Cadaques.
1986 Artist-in-Residence, Ucross Foundation • Ucross, Wyoming. 9/86.
1985 First Place Award Printmaking, Artquest '85, California State
University Art Museum • Long Beach, CA.
Purchase Award, 10th International Miniature Print Competition,
Pratt Graphics Center • New York, NY
Merit Award, Northern Rockies Exhibition, Yellowstone Art Center •
Billings, MT
1984-5 Research and Creativity Grant, Montana State University • Bozeman,
MT
Purchase Award, Miami International Print Biennial, N. Miami
Museum of Art • Coral Gables, FL

PROFESSIONAL EXPERIENCE (INTERNATIONAL)

2003 Visiting Artist Faculty, Santa Reparata International School of Art •
Florence, Italy, July.
2002 Visiting Artist Faculty, Santa Reparata International School of Art •
Florence, Italy, July.
Guest Lecture, Kinki University Art Department • Osaka, Japan.
2001 Visiting Artist Faculty, Painting, Pont Aven International School of
Art • Pont Aven, Brittany, France, June.
1999 Artist In Residence, Franz Masereel Center • Kasterlee, Belgium.
1993 Visiting Artist/Instructor • Cortona, Italy, University of Georgia
Studies Abroad Program, summer.
Visiting Artist/Critic • Bratislava, Slovakia Academy of Art, month of
October.
Visiting Artist/Critic • Lahti, Finland, Art Academy, month of
November.
Visiting Artist/Lecturer • Temple University Program in Rome,
Italy. Public lecture.
Visiting Artist, Academy of Fine Arts, Helsinki, Finland. USIA
lecturing grant.
1991 Guest Artist Lecture, "Surface to Surface: Interrelationships Between
Painting and
Printmaking in U.S. Artists of the 80's," Instituto de Estudios
Norteamericanos • Barcelona, Spain.
1989 Juror, 9th Miniprint International • Cadaques, Spain.

PROFESSIONAL EXPERIENCE

present Associate Professor of Art, Georgia State University • Atlanta,
Georgia. Beginning through Graduate
Painting + Drawing, Independent Study, Graduate Thesis
committees, tenured in 2000. 9/97-now.
Associate Dean of Fine Arts, College of Arts and Sciences, Georgia
State University • Atlanta, GA. 8/01-8/03.
2001- on Program Director, Study Abroad in Italy, GSU Office of
International Affairs. Run summer program in Florence.
1997-87 Associate Professor of Art, University of Tennessee • Knoxville,
Tennessee. Tenured in 1993. 9/87- 6/97.
2005 Guest Faculty, Santa Reparata International School of Art •
Florence, Italy. Public lecture.
2004 Visiting Artist, Georgia State College and University • Milledgeville,
GA. Lecture, critiques, publish print.
2003 Visiting Artist, Miami University • Oxford, OH. Public lecture,
critiques, gallery talks.
Guest Faculty, Santa Reparata International School of Art •
Florence, Italy. Public lecture, gallery talk.
2002 Guest Faculty, Santa Reparata International School of Art •
Florence, Italy. Public lecture.
2001 Guest Faculty, Penland School of Crafts • Penland, NC. Public
lecture.
2000 Visiting Artist, Arizona State University • Tempe, AZ. Public lecture,
critiques.
1999 Visiting Artist, West Virginia University • Morgantown, WV. Deem
Distinguished Artist Lecturer.
1998 Visiting Artist, School of the Museum of Fine Arts • Boston, MA.
Public lecture, critiques.
Visiting Artist, Rhode Island School of Design • Providence, RI.
Senior critic, public lecture.
1996 Visiting Artist, Ohio University • Athens, Ohio. Lecture, critiques,
publication of a print.
1995 Visiting Artist, Wake Forest University • Winston-Salem, North
Carolina.
Visiting Artist, University of Kansas • Lawrence, KS. Public lecture,
critiques.
Visiting Artist, Kansas City Art Institute • Kansas City, MO. Public
lecture, critiques.
1994 Visiting Artist, Connecticut College • New London, CT.
Installation, public lecture
Visiting Artist, University of Wisconsin, Milwaukee. Public lecture
and critiques.
1993 Visiting Artist, Miami University • Oxford, Ohio. Public lecture
and critiques.
Visiting Artist, University of Georgia • Athens, Georgia. Public
lecture.
1992 Visiting Artist, University of Illinois • Champaign-Urbana,
Photography Area.
Visiting Artist, Kansas City Art Institute • Kansas City, MO. Public
lecture and critiques.
1990 Visiting Artist, Louisiana State University • Baton Rouge, LA.
Lecture, critique, print publication.
1989 Visiting Artist, Fort Mason Art Center • San Francisco, CA. 3-day
workshop.
Visiting Artist, University of Northern Iowa • Cedar Falls, IO.
Public slide lecture.
1988 Visiting Artist, Dartmouth College • Hanover, NH. Public slide
lecture and critiques
Guest Lecturer/Critic, University of Wisconsin • Madison, WI.
Critique and slide lecture.
Visiting Artist, University of North Carolina • Chapel Hill, NC.
Public lecture, demo
1987 Guest Artist/Critic, Western Carolina University • Cullowhee, NC.
Critique, slide lecture.
Guest Artist, Southeastern College Art Conference and Southern
Graphics Council •
University of Tennessee, Knoxville. Presented color intaglio
workshop. 10/87.
Guest Artist, Knoxville Museum of Art • Conducted drawing
workshop, slide lecture.
Artist-in-the-Schools, Montana and Nevada Arts Councils. 9/86 -
5/87.
1986 Visiting Artist, Chicago Art Institute • Chicago, Illinois.
10/86.
Guest Artist, Instructor, Montana State University • Bozeman, MT.
Intaglio, and Color Theory. 1/86 - 6/86.
1985-4 Graduate Teaching Position on paid scholarship. Montana State
University • Bozeman, MT.

RELATED EXPERIENCE

2005 Presenter, "Altered States: Transformation of Perception, Place and
Performance," Planetary Collegium,
University of Plymouth • Plymouth, UK
Panel Chair/Presenter, "Painting As World," College Art Association
Annual Conference • Atlanta, GA.
Panel Chair, "Atlanta's (New) Contemporary Art Spaces," Artspace,
CAA Annual Conference • Atlanta, GA
2002 Panel Chair/Presenter, "Art & Language: Connecting Two Halves of
the Brain," Hawaii International Arts &
Humanities Conference • Honolulu, Hawaii.
2001 Panelist/Presenter, "On/Off/Over the Edge," American Print
Alliance, University of Florida • Gainesville.
Presented "Collaborations at the Franz Masereel Center,
Belgium," with Craig Dongoski.
1999 Panelist, "Post-Lingua: the Interracitality of Tongues," CAA Annual
Conference •Los Angeles, CA.
Presented paper entitled "Seeds and Germs: The Flourishing of
Esperanto."
1997 Panelist, "Edges + Interfaces," Printmaking Dialog Day, Agnes Scott
College • Atlanta, GA
Juror, Honolulu Printmakers Annual Competition, Academy of Art at
Linekona • Honolulu, Oahu
1995 Panelist, "Unlocking the Print Cabinet: Personal Contents and
Passing the Key'"
23rd Southern Graphics Council Conference, University of
Tennessee • Knoxville, TN
1992 Panelist, "Have We Missed the Boat? Issues in Contemporary
Printmaking,"
20th Southern Graphics Council Conference, University of
Tennessee • Knoxville, TN
1990 Panelist, "Censorship in the Arts," Southern University • New
Orleans, Louisiana.
1988 Juror, Etowah Arts Council Annual Exhibition • Etowah, Tennessee.
Juror, Annual Student Competition, Western Carolina University •
Cullowhee, NC
1987 Panelist, Selection Committee, Nevada States Arts Council Artist-in-
Residence program.• Reno, Nevada. 5/87.
Guest Lecturer/Critic, Kansas City Art Institute • Kansas City,
Missouri. Critiques, lecture. 4/87.
1986 Collaborative Printer, Experimental Workshop • San Francisco, CA.
Collaboration, editioning woodcuts, etchings,
monotypes.(Nathan Olivera, Richard Bosman, Judy Rifka, Rex
Lau, Ted Waddell, Susan Shatter.)7/86-1/87.
Printer, Teaberry Press • San Francisco, California. Editioned Terry
Allen etching.
Conservator, Permanent Collection Prints, Montana State University.
4/86 - 6/86.
1984-5 Cartographer, Red Bluff Archeological Survey, Montana Committee
for the
Humanities grant, Museum of the Rockies • Bozeman, Montana.
1982-3 Scientific Illustrator for Jack Horner, Curator of Paleontology, NSF
grant, Museum of the Rockies • Bozeman, MT.

PUBLIC COLLECTIONS

City of Atlanta, Art in Public Places • Atlanta, GA.
Kilpatrick Stockton Attorneys • Atlanta, GA.
Blue Ocean Institute • Cold Spring Harbor, NY
Corcoran Gallery of Art • Washington, DC.
Knoxville Museum of Art • Knoxville, Tennessee.
Hyatt Regency International Hotel • Naples, Florida.
Arizona State University Art Museum • Tempe, Arizona.
Atlanta Hartsfield Airport, Immigration Concourse • Atlanta,
Georgia.
Softblox Computing Technologies • Atlanta, Georgia.
Tweed Art Museum • Duluth, Minnesota.
Saks Fifth Avenue • Atlanta, Georgia.
Kennedy Art Museum • Athens, Ohio.
MBL Life Assurance Corporation • New Jersey (commission)
Benziger Winery • Sonoma, California. (two commissions for wine
labels)
Hunter Museum of Art • Chattanooga, Tennessee.
Freeman-Hawkins Attorneys at Law • Atlanta, Georgia.
Stockholders Systems • Atlanta, Georgia.
Burroughs-Wellcome Pharmaceuticals • Ralleigh, North Carolina.
Instituto de Estudios Norteamericanos • Barcelona, Spain.
Miami Metropolitan Museum and Art Center • Coral Gables,
Florida.
Pratt Institute • New York, New York.
Deloitte-Touche • Atlanta, Georgia.
School of the Art Institute of Chicago • Chicago, Illinois.
Clapsadle-Baugnet • Minneapolis, Minnesota.
Agnes Scott College Permanent Collection • Atlanta, Georgia.
Tennessee State Museum • Nashville, Tennessee.
Taller Galeria Fort • Barcelona, Spain.
University of Tennessee Permanent Collection • Knoxville,
Tennessee.
Montana State University Permanent Collection • Bozeman, Montana.

GALLERY AFFILIATIONS

Present Metaphor Contemporary Art • Brooklyn, NY
Sandler Hudson Gallery • Atlanta, Georgia.
Lisa Sette Gallery • Scottsdale, Arizona.
Rentz Gallery • Richmond, Virginia.
2001-2004 Fay Gold Gallery • Atlanta, Georgia.
Sylvia Schmidt Gallery • New Orleans, LA
2001-1992 Lowe Gallery • Atlanta, Georgia.
Monique Knowlton Gallery • New York, NY
Leedy-Voulkos Gallery • Kansas City, Missouri.
1992-90 Kathryn Sermas Gallery • New York, NY.
CCA, Center for Contemporary Art • Chicago, Illinois.
1990-85 San Francisco Museum of Modern Art Rental Gallery • San
Francisco, California.
Fletcher Priest Gallery • Worcester, Massachusetts
Signature Gallery • Stoughton, Wisconsin.

BIBLIOGRAPHY OF REVIEWS AND CITATIONS

2006 Nugent, Bob, Forward by Donald Kuspit, Imagery: Art for Wine, Wine
Appreciation Guild, p. 140-1.
Fox, Catherine, "Object Lessons," review, ill., Atlanta Journal-
Constitution, April 23, p. K 5
2005 Tuley, Laura, "Adornment: Embellishment and Encroachment,"
review, Art Papers, Jan/Feb, p. 45.
Kushner, Marilyn, "A Vast Array," New Orleans Triennial catalog,
essay, ill. p. 15, 64-5.
2004 Bookhardt, Eric, "Beyond Fashion," review, Gambit Weekly, New
Orleans, Sept. 21, p.32.
Howie, Elizabeth, "Adornment: Embellishment and Encroachment,"
exhibition essay, Loyola University, Nola.
Perez-Brennan, Tanya, "Creations Meld Science and Art," rev. ill.,
Florida Times Union, Jacksonville, Jul 9, p.15-6.
Rubin, David, "Birdspace," exhibition catalog, essay, ill. p. 21, 24, 26.
Publ. by Pamela Auchincloss Arts Mgmt.
Cullum, Jerry, "Wonders in a Wet World," rev., AJCaccessAtlanta,
Nov. 4, p. 26.
Bookhardt, Eric, "Birdspace," review, Art Papers, Jul/Aug, p. 44-5
2003 Rezerwuj Czas, " Dongoski w Entropii, Jak Brzmi kreska," rev., ill.,
City Magazine, Wroclaw, Poland, July, p. 20.
Co Jest Grane, "Zdarzenia z glosami," ill., Gazeta Wyborcza
Wroclaw, Poland, June 27, p. 13.
Strefa Miejska, "Drawing Voices," Aktivist, Wroclaw, Poland, no. 48,
July, ill., p. 17
"Opere su Carta, Craig Dongoski & Pam Longobardi," Il Corriere di
Firenze, Special Estate, ill., July 10, p. 25
McClellan, Marian, "Exploiting Nature's Finery," New Orleans Art
Review, review, ill., Jan/Feb, p. 29-30.
Zevitas, Stephen T., ed., New American Painting, no.46, Open Studios
Press, Boston, MA, ill. p. 90-93.
Cullum, Jerry, Emory Chairs Project catalog, essay, ill. Published by
Emory University., p. 5, 27.
Yee, Ivette M., "In the Flesh," The Times-Union, Jacksonville, rev,
May 2, p. 15.
Kinghorn, George, "Skin: Contemporary Views of the Body,"
exhibition catalog, essay, ill.
Carruthers, Valerie, "JMOMA: A Cultural Institution," Arbus,
May/June, article, ill., p. 52-61.
2002 MacCash, Doug, "Off the Walls," The Times-Picayune, New
Orleans, rev., ill. , Dec 6.
Bookhardt, Eric, "Worlds Within Worlds," Gambit, New Orleans,
rev., ill. Dec 10
Duerr, Teri, editor, "Visual Feature," KS guest artist pages, Kansai
Scene, Osaka, Japan, no. 26, June, p. 21-23
Makrandi, Nandini, "Pam Longobardi," Tennessee Historical
Quarterly, vol. LXI, no. 1, Spring, p. 67-8.
2001 Fox, Catherine, "The Art of Afterward," article, ill., Atlanta Journal-
Constitution, Dec 30, p. L1, 10.
Kornblit, Bobbi, "A Wild, Untamed Surface," feature article, ill.,
Atlanta Intown, April, p. S3
Fox, Catherine, "Lipstick Explores Meaning...", rev., ill. Atlanta
Journal-Constitution, June 29, p. Q8.
Feaster, Felicia, "Kiss and Tell," rev., Creative Loafing, June 13.
Joyner, Heather, "Keys to Two Personal Kingdoms," rev., ill., Metro
Pulse Knoxville, Jan 4, p.20.
Denker, Eric, "Saints and Sinners: Contemporary Observations...,"
exhibition catalog, p. 34-6.
2000 Makrandi, Nandini, "Beyond the Frame: Pam Longobardi +
Catherine McCarthy", catalog, Knoxville Museum of Art
Krainak, Paul, "world/world," catalog essay for exhibition, Lowe
Gallery.
Cullum, Jerry , "The world as theme park," rev., ill. Atlanta Journal-
Constitution, Nov 24, p. Q8.
Fox, Catherine, "Exploring our Best..." rev., ill. Atlanta Journal-
Constitution, Feb 4, p. Q8.
Dooley, Timothy "Damp Edge," catalog essay for exhibition, UNI
Gallery of Art.
Feaster, Felicia, "Double Vision: Year in Arts Review," Creative
Loafing, January 1, p. 37
Bernstein, Susan, "You're an Animal," preview, ill. Style Magazine,
Jan/Feb, p. 14.
Schonbak, Judith, "Atlanta's Gallery Scene," preview, ill. Atlanta Now
, Jan/Feb, p. 39.
1999 Pessina, Maria, "Arte Crossover," article, ill. Radar no. 64, El
Universal/ Caracas, Venezuela, Mar 3..
Fox, Cathryn, "The Last Taboo..." Atlanta Journal-Constitution, Jan
15
Forrest, Jason, "Requiem," review, ARTPAPERS, May/June, p. 36-7
Byrd, Cathy, "Atlanta Artists Considered for Whitney," Creative
Loafing, Aug 28, p. 45
Feaster, Felicia, "here Kitty Kitty Whipped," Creative Loafing,
January 15, p. 37
1998 Cullum, Jerry, "Longobardi moves.." review, ill. Atlanta Journal-
Constitution, June 5, Q7.
Poyner-Burns, Rebecca," Taking a Long Look..." rev., ill., Poets,
Artists &, May 29,p. 12.
Byrd, Cathy, "animal/beautiful," catalog essay for exhibition Lowe
Gallery.
Gloeck, H., ed., Ravenal, John, juror. New American Painting, n.
XVI, Open Studios Press, p.68-9.
Thorson, Alice, "Surface Pleasures," review, Kansas City Star, Mar.
27, p.24
Bickerton, Jane, "Pam Longobardi," rev., ill. ARTPAPERS,
Nov/Dec, p. 50
1997 Krainak, P., "Appalachian High: Resisting ..," art, ill., New Art
Examiner, Oct p.30-5.
Slaven, Michael, "Allographies," catalog essay, ill., University
Museum, Indiana University, PA.
Allen, L., McGibbon, P. The Best of Printmaking: An International,
Rockport Publisher, p.76
Who's Who in American Art, Marquis Who's Who Publisher, 22nd
edition, 1997-98.
1996 Byrd, Cathy, "Atlanta Beyond: Lowe's American Renaissance,"
Creative Loafing, Aug 3, p.33
Pulin, Carol, ed, "Pam Longobardi: Interview," Contemporary
Impressions, v.4, n.1,p10-14.
Schor, Mira, and Susan Bee, eds. M/E/A/N/I/N/G, final issue,
contributing artist's page, ill.
Merril, Hugh, "Responding to Concerns," Journal for the MAPC,
Fall, p. 7.
Byrd, Cathy, "Women's Work: Double-X Art in ‘96," Creative
Loafing, Dec 28.
1995 Gorham, Terre, "Rain/Reign," Downtowner Magazine, December, p.
12.
1994 Frank, Peter and Cullum, Jerry, "Appeals, Oaths, and Queries:
Objects + Installation," catalog essays
McCarthy, David, "Pam Longobardi," review, ill. New Art Examiner,
Sept., p. 48-9.
Weisberg, Ruth, "Emulation Vs. Appropriation:New Uses of Art
Historical Sources," CAA Conference, NY, NY
Burton, Frank, "Pam Longobardi, Marshall Arts," Number, no. 23,
Summer, p.12.
1993 Kivirinta, Marja-Terttu, "MUUry aloittaa...", review, ill. Helsinki
Sanomat, Oct 28
"Siipia, haloja..." review, ill. Ilta Sanomat, Nov 10.
Carny, Ladislav, "Pam Longobardi," review, ill. PROFIL, Bratislava,
Slovakia. Nov.
Heartney, Eleanor, "From Mountains...", catalog essay, ill. NMWA,
Washington, DC.
Cullum, Jerry, "Pam Longobardi," review, ill. ARTPAPERS,
Nov/Dec. p. 22.
Cullum, Jerry, "Pam Longobardi," review. Atlanta Journal-
Constitution, CityLife, Jun 17
Dusseault, Ruth, "Critical Impressions," review, ill. ARTPAPERS,
May, p. 46.
Jinker-Lloyd, Amy "Mix Master, Pam Longobardi", Creative Loafing,
Atlanta, June 2.
Koeppel, Frederick, "Artists Look..." review, ill. Memphis
Commercial Appeal, Jan 29
Hinson, Mark, "‘Critical Impressions' is Impressive," Tallahassee
Democrat, Jan. 14, p.25
1992 Dugan, Cory, "Number Invitational, Curator's Statement," rev, ill.
Number, n. 18. p.17.
McGowan, Rob, "Strength in Number," review. Memphis Flyer, Dec.
10, p.29.
DeRossitt, James, "Outrage, Subtle Challenge.", , Memphis
Commercial Appeal, Nov. 25.
1991 Cyphers, Peggy, "Pam Longobardi," review, ill. ARTS, Summer 1991,
p. 96-7.
Carter, Katharine, "Highlights of the New York Art Season,", lecture
presented nationally.
1990 Cerdi, Miguel, "Pam Longobardi," review, ill. Diaria de Barcelona,
Dec 6.
Dewey, Tom, "Announcing the Wycross Press," ill. Journal of the
Printworld,v14, n2, p33.
Ribar, David, "Living Artists: 4 Installations," review, ill.
ARTPAPERS, N/D, p.60-61.
McLellan-Work, Marian, "1990 Mid-Year Exhibition,I & II,"
Artpapers, N/D, p.61-2.
Knowles, Susan, "1990 Mid-Year Exhibition", review, ARTPAPERS,
Nov/Dec, p.63.
Knowles, Susan, "Living Artists: Four Installations," Knoxville
Museum of Art., catalog essay, ill.
Pickle, Betsy, "Installations a First for Museum of Art," rev., ill.
Knoxville News-, Jun 3.
Rossen, Joe, "Installations...", review, Knoxville Journal, Jun 11
Viacom Productions, "The Case of the Fatal Framing," artwork
used in TV episode of Perry Mason.
1989 Cullum, J.W.; ARTPAPERS, review, ill. May/June, p. 46-7.
Sauter, Spencer, "Artist's 'Words' Relate Nature of Humankind,"
Bloomington Pantagraph, Apr.23.
1988 Govern, Paul, "Drawing Conclusions," review, ill., Winston-Salem
Spectator, Mar 16
Guge, Gail, "Experience as Firefighter ,"review, ill., Knoxville News-
Sentinel, Feb 12.
1986 Leach, Mark, "Pam Longobardi," catalog essay, Paris Gibson
Contemporary Arts v.2,n.2.
1983 Narotzky, Susana and Millan, Jose Antonio, "Recuperar el grabado, "
LAPIZ, Revista
Mensual de arte, review, ill., Nov, no.10., Barcelona, Spain.

AUTHORED PUBLICATIONS

1995 M/E/A/N/I/N/G, Contemporary Art Issues, Nov., no 18, "The
Stranger," article, pp. 42-45,
Susan Bee and Mira Schor, editors. New York, NY.
1992 "Current/Currents: New Forms in Printmaking," Curatorial essay
for exhibition catalog.
National exhibition co-curated with B. Lyons. Ewing Gallery, Univ
of Tennessee • Knoxville
Peabody Review, Vol. 2, "Images of Nature and Power: Named and
Nameless," art., ill.
1984-6 Infinity magazine, Vol. 2, 3, 4, & 5. Paintings and prints
reproduced.
Scientific American, April, Vol. 250, No. 4. Drawings and
diagrams reproduced.

PRINT PUBLICATIONS

2000 "Optimism," digital collage and relief print, edition of 40. Published
by Pyracanthra Press • Tempe, Arizona.
1998 "animal/beautiful," color intaglio and relief, edition of 50. Published
by University of Dallas.
1996 "Instinct and Intellect," 5-plate photo intaglio, ed. of 20. Published
by Ohio University Print Department.
Permanent collection of Kennedy Art Museum, Ohio University •
Athens, Ohio.
1990 "The Persistence of Myth," Published by Wycross Press • Auburn,
Alabama.
"Divided World," Published by Louisiana State University • Baton
Rouge, LA.
"Confessions of a Martyr," Published by Taller Galeria Fort •
Barcelona, Spain