
May 13th—16th
BOOTH R6
Exhibited Artists:
︎ Megan Greene
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Megan Greene’s artistic practice is devoted to drawing. Her work involves careful layering of ink and colored pencil, a process that is both slow and improvisational.
Greene’s compositions are indebted to the natural world. While her drawings are abstract, she borrows heavily from the language of landscape. Her work alludes to phenomena beyond human observation—such as quantum or cosmic systems, fractal geometries, infrared or ultraviolet light rays, and atmospheric movement. Though rooted in a sense of place, the works embody a spatial and temporal dislocation by their severance from rules of perspective and laws of nature.
Greene lives and works in Chicago. A native of Buffalo, NY, she earned a BFA with honors from the University of Notre Dame in 1998 and an MFA from Rutgers University in 2002. Her work is held in the permanent collections of the Albright Knox Art Gallery and the Burchfield Penney Art Center.︎︎︎ Download CV -
︎ Kimia Ferdowsi Kline
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Kimia Ferdowsi Kline earned an M.F.A. at the San Francisco Art Institute and holds a B.F.A. in painting from Washington University in St. Louis, where she was awarded a full-tuition Danforth Scholarship.
She has mounted solo exhibitions at Turn Gallery (New York), Marrow Gallery (San Francisco), The Elaine L. Jacobs Gallery at Wayne State University (Detroit) and 68 Projects (Berlin). Select group shows include Ceysson & Bénétière, The Museum of Contemporary Art Detroit, CANADA Gallery, Vanderbilt University, and The Drawing Center.
In 2015 she was awarded a grant and residency through the New York Foundation for the Arts. In 2018 she was honored to be nominated for a Rema Hort Mann Emerging Artist Grant.
Guest lectures and teaching include Yale University, Vanderbilt University, Tyler School of Art and Architecture, SUNY Purchase, The Fashion Institute of Technology, Brooklyn College, Wayne State University, and Chautauqua Institute.
As a freelance curator, she consults for various private collectors and corporations.︎︎︎ Download CV -
︎ Erica Westenberger
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Erica Westernberger (b. 1991) is a multidisciplinary artist currently based in New Orleans, Louisiana. Erica Westenberger’s work weaves worlds together through drawing, sculpture, and installation, creating scenes shaped by apprehension, longing, and care. She composes tense encounters that reflect the emotional landscapes women wade through in search of contentment while negotiating ideals of beauty, caregiving, and achievement. This fraught feminine interiority emerges through bodies and objects that intertwine, pierce, cradle, restrain, and tie themselves into knots.
Through sculptural processes, Westenberger positions these tensions as enduring social concerns. The hand-hewn surfaces of bas-reliefs echo ancient wall tablets, suggesting systems of belief and expectation embedded in representation. Dusty gardens filled with playful yet cutting amulets surround twisting bodies suspended between vulnerability and transformation. Hand-rendered ribbons, animals, and keepsakes gather as emotional artifacts, forming a private archive drawn from memory—her grandmother cleaning thorn scrapes after a fall into her rosebush, or her mother’s embrace in the garden after a family member’s diagnosis. These ornamental assemblages become fragile forms of shelter, acting as balms against fading time, memory, and social constraint.︎︎︎ CV
Curatorial Statement
It’s high time for some new mythologies. There’s more arcana in rubbing your eyes until you see shapes and colors, the phosphenes undulating in a quotidian psychedelia, than the old gods have to offer these days. Megan Greene, Kimia Ferdowsi Kline, and Erica Westenberger conjure images and objects from parallel-realms. The works here are united by their reference to ancient, immediate, and esoteric histories, by fantasy as ethos, and by modes of myth-making guided by intuitive expression.
Megan Greene (Chicago, b. 1976) makes colored pencil, pen and ink works on paper that recall vintage pulp sci-fi & fantasy covers abandoned by their usual caricaturesque centerpiece (he-man, distressed damsel, menacing baddie) leaving only swirling orbs and vortices of alien atmosphere in their wake. Her works on paper provide miniscule windows into these other worlds; identifiable forms seem to emerge the longer you look—crashing waves, corpuscular rays splitting purple clouds, large reptilian eyes or wings—but an enchanting ambiguity prevails.
Kimia Ferdowsi Kline’s (Nashville, b. 1984) work focuses on social entanglement, her materials matching her primeval themes. Through wood and bronze sculptural works and paintings on papyrus, the artist engages viscerally with notions of embodiment, trauma, displacement, and motherhood. Kline’s work features monolithic bronze casts of stones and lumber. Hand-stitched papyrus assemblages host hot-pink tableaus of inextricable figures, unclear whether they’re grappled in violent struggle or loving embrace.
Erica Westenberger’s (New Orleans, b. 1991) reliefs and drawings establish ritual environments populated with ceremonial objects and icons, parrying fraught notions of feminine interiority into beguiling webs of esoteric forms and symbols. Surrealist figures of indeterminate form wriggle across the strange architecture of Westenberger’s highly rendered graphite domains; vortices of limbs and braids, mask-like effigies appear in powder blue relief.
What results is alchemy: a transmutation of dormant material and subjectivity into object. Each artist encrypts personal experience and generative instinct into their own sacred architecture—one unmarred by dogma, allowing interface with something collective and transcendent, beyond language.



